The Crossing

198450'Baritone, mezzo, dancer, actor, piano, violin, horn, bassoon, double bass, percussion, clarinet

John Metcalf first work for the St. Donat’s Music Theatre Ensemble is set in January 1933 aboard the SS Stuttgart bound for America. A chance meeting between the satirical artist Georg Grosz and a fellow passenger exposes powerful conflicts within the man and his work. The Crossing is scored for two singers, a dancer and an actor with an ensemble of seven musicians.

Programme Note

An entry from ‘Operas in English: a Dictionary’ by Margaret Ross Griffel (2013: 106)

Crossing, The, opera in one act by John Metcalf; libretto (Eng) by the composer, after Geoff Gilham’s play. First performance September 20, 1984, Cardiff, Chapter Arts Centre, Music Theatre Ensemble, with John Rath (George Grosz), Alison Truefitt (Käthe), Belinda Neave (the Woman), and Frank Rozelaar-Green (the Sailor); conducted by Wyn Davies.

The work examines a chance meeting of the German painter George Grosz and another passenger on a ship crossing the Atlantic to the United States in 1933. The meeting leads to emotional conflict for the artist.

In addition to lyrical pieces for Grosz and Käthe, there are mimed and danced sections for the other two members of the cast. Bibliography: Malcolm Boyd, “Wales,” MT 126 (Jan. 1985): 41.

Performance History

First performance

Chapter Arts Centre, Cardiff
20th September 1984
Music Theatre Ensemble
Wyn Davies – conductor
John Rath – George Grosz
Alison Truefitt – Käthe
Belinda Neave – the Woman
Frank Rozelaar-Green – the Sailor

First London performances

The Place, London
9th & 10th November 1984
Cast as per Chapter Arts Centre performance above

Canadian premiere

16th November 1985
Margaret Greenham Theatre, Banff Centre for the Arts

Wales Tour 1985
9th March
Theatr Clwyd, Mold

10th March
Gregynog Hall, near Newtown, Powys

14th March
Wyeside Arts Centre, Builth Wells

16th March
Chapter Arts Centre, Cardiff

17th March
Taliesin Arts Centre, Swansea

23rd March
Theatr y Werin, Aberystwyth

Wales Spring Tour 1986

 

 

 

 

Reviews

” . . . the piece has that mysterious, timeless quality inherent in the concept of a sea voyage. The mood is dreamlike, accentuated by the blue gauze design and the predominantly textural, atmospheric quality of the score ”
Rosalind Carne – Opera Magazine

” Highly entertaining ”
South Wales Echo

” A thought-provoking experience ”
Western Mail

Supporting Information

The Crossing Libretto p. 1
The Crossing Libretto p. 2
The Crossing Libretto p. 3